Available From UC Press

In Awangarda, Lisa Cooper Vest explores how the Polish postwar musical avant-garde framed itself in contrast to its Western European counterparts. Rather than a rejection of the past, the Polish avant-garde movement emerged as a manifestation of national cultural traditions stretching back into the interwar years and even earlier into the nineteenth century. Polish composers, scholars, and political leaders wielded the promise of national progress to broker consensus across generational and ideological divides. Together, they established an avant-garde musical tradition that pushed against the limitations of strict chronological time and instrumentalized discourses of backwardness and forwardness to articulate a Polish road to modernity. This is a history that resists Cold War periodization, opening up new ways of thinking about nations and nationalism in the second half of the twentieth century.
 

Lisa Cooper Vest is Assistant Professor of Musicology at University of Southern California 

"In her compelling and lucid study, Lisa Cooper Vest explores an apparent paradox: how Poland, on Europe's periphery, with intellectuals obsessed over falling behind the "West," became a driving force of European modernity, thanks to—and despite—regimes stretching from right to left. An indispensable and absorbing study."—John Connelly, author of From Enemy to Brother: The Revolution in Catholic Teaching on the Jews 

"This work is revelatory. A gripping read and a nuanced scholarly account of music-making under state socialism."—Danielle Fosler-Lussier, author of Music in America's Cold War Diplomacy

"This book will provide a crucial—indeed, indispensable—foundation for all future research on Polish music of the period."—Kevin C. Karnes, author of Arvo Pärt's Tabula Rasa