Flags and Faces, based on David Lubin’s 2008 Franklin D. Murphy Lectures at the University of Kansas, shows how American artists, photographers, and graphic designers helped shape public perceptions about World War I. In the book’s first section, “Art for War’s Sake,” Lubin considers how flag-based patriotic imagery prompted Americans to intervene in Europe in 1917. Trading on current anxieties about class, gender, and nationhood, American visual culture made war with Germany seem inevitable. The second section, “Fixing Faces,” contemplates the corrosive effects of the war on soldiers who literally lost their faces on the battlefield, and on their families back home. Unable to endure distasteful reminders of war’s brutality, postwar Americans grew obsessed with physical beauty, as seen in the simultaneous rise of cosmetic surgery, the makeup industry, beauty pageants, and the cult of screen goddesses such as Greta Garbo, who was worshipped for the masklike perfection of her face. Engaging, provocative, and filled with arresting and at times disturbing illustrations, Flags and Faces offers striking new insights into American art and visual culture from 1915 to 1930.
David M. Lubin, the Charlotte C. Weber Professor of Art at Wake Forest University, teaches art history, film studies, and popular culture. His books include Act of Portrayal, Picturing a Nation, the BFI monograph Titanic, and Shooting Kennedy, which received the Smithsonian Institution's Eldredge Prize for outstanding scholarship in American art.
"Basing its arguments on considerable research, Flags and Faces asks us to reconsider American visual culture at a critical modernist moment, in light of the Great War. This is vintage Lubin: freewheeling, incredibly smart, and hugely inventive."—E. Bruce Robertson, Professor, Historyof Art and Architecture, University of California, Santa Barbara
“David Lubin’s characteristically forceful and lucid approach to the interpretation of American visual culture during times of stress is on full display in Flags and Faces. The book’s correlation of male faces damaged by war with the 1920s cult of the ideal female face (on film and elsewhere) is particularly ingenious and convincing.”—Hollis Clayson, Bergen Evans Professor in the Humanities, Northwestern University
124 pp.6 x 8Illus: 41 color, 17 b/w
9780520283633$34.95|£30.00Hardcover
Feb 2015