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Available From UC Press
Road Trip to Nowhere
Hollywood Encounters the Counterculture
How a new generation of counterculture talent changed the landscape of Hollywood, the film industry, and celebrity culture.
By 1967, the commercial and political impact on Hollywood of the sixties counterculture had become impossible to ignore. The studios were in bad shape, still contending with a generation-long box office slump and struggling to get young people into the habit of going to the movies. Road Trip to Nowhere examines a ten-year span (from 1967 to 1976) rife with uneasy encounters between artists caught up in the counterculture and a corporate establishment still clinging to a studio system on the brink of collapse. Out of this tumultuous period many among the young and talented walked away from celebrity, turning down the best job Hollywood—and America—had on offer: movie star.
Road Trip to Nowhere elaborates a primary-sourced history of movie production culture, examining the lives of a number of talented actors who got wrapped up in the politics and lifestyles of the counterculture. Thoroughly put off by celebrity culture, actors like Dennis Hopper, Christopher Jones, Jean Seberg, and others rejected the aspirational backstory and inevitable material trappings of success, much to the chagrin of the studios and directors who backed them. In Road Trip to Nowhere, film historian Jon Lewis details dramatic encounters on movie sets and in corporate boardrooms, on the job and on the streets, and in doing so offers an entertaining and rigorous historical account of an out-of-touch Hollywood establishment and the counterculture workforce they would never come to understand.
By 1967, the commercial and political impact on Hollywood of the sixties counterculture had become impossible to ignore. The studios were in bad shape, still contending with a generation-long box office slump and struggling to get young people into the habit of going to the movies. Road Trip to Nowhere examines a ten-year span (from 1967 to 1976) rife with uneasy encounters between artists caught up in the counterculture and a corporate establishment still clinging to a studio system on the brink of collapse. Out of this tumultuous period many among the young and talented walked away from celebrity, turning down the best job Hollywood—and America—had on offer: movie star.
Road Trip to Nowhere elaborates a primary-sourced history of movie production culture, examining the lives of a number of talented actors who got wrapped up in the politics and lifestyles of the counterculture. Thoroughly put off by celebrity culture, actors like Dennis Hopper, Christopher Jones, Jean Seberg, and others rejected the aspirational backstory and inevitable material trappings of success, much to the chagrin of the studios and directors who backed them. In Road Trip to Nowhere, film historian Jon Lewis details dramatic encounters on movie sets and in corporate boardrooms, on the job and on the streets, and in doing so offers an entertaining and rigorous historical account of an out-of-touch Hollywood establishment and the counterculture workforce they would never come to understand.
Jon Lewis is the University Distinguished Professor of Film Studies at Oregon State University. He is the author of over a dozen books, including Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles.
"Anyone who knows '60s films will be delighted to encounter this list of characters, who are so iconic, yet understudied until now. An engrossing and consequential contribution to film history."—Dana Polan, author of Dreams of Flight: The Great Escape in American Film and Culture
"Lewis is one of our most eloquent and thought-provoking commentators on the mind meld between American film and culture, a critic who has all the best arrows in his quiver: a sharp eye for cinematic detail and cultural meaning, scholarly chops, and accessible, lively prose."—Thomas Doherty, author of Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century
"Road Trip to Nowhere picks up, amplifies and deepens Peter Biskind’s Easy Riders, Raging Bulls. Lewis’s customary attention to the telling detail and his grasp of the historical moment makes the clash between a countercultural movement and an entrenched Hollywood industry, not knowing what to make of this challenge but forced to accommodate to it, come vividly to life. At this point Lewis needs to be acknowledged not only as an astute critic detailing the underside and contradictions of the Hollywood industry--most especially also in his ‘40s recounting of the fringes of the filmdom in Hardboiled Hollywood--but also as one of its great chroniclers. His gift for storytelling in a crisp, clear, totally compelling fashion is a continual delight."—Dennis Broe, author of Diary of a Digital Plague Year: Corona Culture, Serial TV and The Rise of the Streaming Services
"Lewis is one of our most eloquent and thought-provoking commentators on the mind meld between American film and culture, a critic who has all the best arrows in his quiver: a sharp eye for cinematic detail and cultural meaning, scholarly chops, and accessible, lively prose."—Thomas Doherty, author of Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century
"Road Trip to Nowhere picks up, amplifies and deepens Peter Biskind’s Easy Riders, Raging Bulls. Lewis’s customary attention to the telling detail and his grasp of the historical moment makes the clash between a countercultural movement and an entrenched Hollywood industry, not knowing what to make of this challenge but forced to accommodate to it, come vividly to life. At this point Lewis needs to be acknowledged not only as an astute critic detailing the underside and contradictions of the Hollywood industry--most especially also in his ‘40s recounting of the fringes of the filmdom in Hardboiled Hollywood--but also as one of its great chroniclers. His gift for storytelling in a crisp, clear, totally compelling fashion is a continual delight."—Dennis Broe, author of Diary of a Digital Plague Year: Corona Culture, Serial TV and The Rise of the Streaming Services