The first book to use subversive sexuality as a lens through which to provocatively view opera in the 21st century.
Imagine Armida, Handel’s Saracen sorceress, performing her breakneck coloraturas in a black figure-hugging rubber dress, beating her insubordinate furies into submission with a cane, suspending a captive Rinaldo in chains from the ceiling of her dungeon. Mozart’s peasant girl Zerlina, meanwhile, is tying up and blindfolding her fiancé to seduce him out of his jealousy of Don Giovanni. And how about Wagner’s wizard, Klingsor, ensnaring his choir of flower maidens in elaborate Japanese rope bondage?
Opera, it would appear, has developed a taste for sadomasochism. For decades now, radical stage directors have repeatedly dressed canonical operas—from Handel and Mozart to Wagner and Puccini, and beyond—in whips, chains, leather, and other regalia of SM and fetishism. Deviant Opera seeks to understand this phenomenon, approaching the contemporary visual code of perversion as a lens through which opera focuses and scrutinizes its own configurations of sex, gender, power, and violence. The emerging image is that of an art form that habitually plays with an eroticization of cruelty and humiliation, inviting its devotees to take sensual pleasure in the suffering of others. Ultimately, Deviant Opera argues that this species of opera fantasizes about breaking the boundaries of its own role-playing, and pushing its erotic power exchanges from the enacted to the actual.
Axel Englund is Professor of Literature at the Department of Culture and Aesthetics, Stockholm University, and author of Still Songs: Music In and Around the Poetry of Paul Celan.
"What if opera’s fascination with fetish iconography were not mere stylistic overlay, but rather an invitation to read contemporary opera as sadomasochistic power exchange? This is Axel Englund’s central provocation in Deviant Opera—one that yields fresh insight into the workings of BDSM play, performance, and transgression on and off stage."—Margot Weiss, author of Techniques of Pleasure: BDSM and the Circuits of Sexuality
"Smart, brave, and deeply knowledgeable. Opera criticism does not get better than this."—Lawrence Kramer, author of The Hum of the World: A Philosophy of Listening
"Any opera lover who dismisses a BDSM-inflected opera production as simply the latest Regietheater fad needs to read this riveting study. Englund uncovers surprisingly analogous connections between BDSM (its conventions, "transgressions," and semiotics) and opera—a cultural practice that has luxuriated in extremes of sexuality, violence, and power for four centuries."—Kristi Brown-Montesano, author of Understanding the Women of Mozart's Operas
280 pp.6 x 9Illus: 44 b/w photographs
9780520343252$32.95|£28.00Hardcover
Oct 2020