Available From UC Press

A bold, compelling, and original study of nonhuman life in Warhol.
 
Like a Little Dog examines a dimension of Andy Warhol that has never received critical attention: his lifelong personal and artistic interest in nonhuman life. With this book, Anthony E. Grudin offers an engaging new overview of the iconic artist through the lens of animal and plant studies, showing that Warhol and his collaborators wondered over the same questions that absorb these fields: What qualities do humans share with other life forms? How might the vulnerability of life and the unpredictability of desire link them together? Why has the human/animal/plant hierarchy been so rigidly, violently enforced?

Nonhuman life impassioned every area of Warhol’s practice, beginning with his juvenilia and an unusually close creative collaboration with his mother, Julia Warhola. The pair codeveloped a transgressive animality that permeated Warhol’s prolific career, from his commercial illustration and erotica to his writing and, of course, his painting, installation, photography, and film. Grudin shows that Warhol disputed the traditional claim that culture and creativity distinguish the human from the merely animal and vegetal, instead exploring the possibility of art as an earthy and organic force, imbued with appetite and desire at every node. Ultimately, by arguing that nonhuman life is central to Warhol’s work in ways that mirror and anticipate influential texts by Toni Morrison and Ocean Vuong, Like a Little Dog opens an entirely unexplored field in Warhol scholarship.

Anthony E. Grudin, author of Warhol’s Working Class: Pop Art and Egalitarianism, is a mental health counselor and art historian who has taught at University of Vermont, California College of the Arts, and University of California, Berkeley.

"A stunning model of non-anthropocentric art history, Anthony Grudin’s deeply empathetic and humane book explores intersections of animality, corporeality, and sexuality in Andy Warhol’s life and art, including his actual and psychic involvements with nonhuman animals and their erotic lives and ecologies. It will reorient thinking about the texture of Warhol’s imaginative achievements."—Whitney Davis, Pardee Professor of History and Theory of Ancient and Modern Art, University of California at Berkeley

"How can it be that we had to wait until this book by Anthony Grudin to recognize the profound, perplexing place that animals had in Andy Warhol’s life and art? From the pet cats he drew in the 1950s to the endangered species he portrayed in the ’80s, Warhol comes alive in Grudin’s book in his full creaturely—sometimes beastly—essence."—Blake Gopnik, author of Warhol