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How are influencers changing the arts? In Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture (U California Press, 2025) Sophie Bishop, an Associate Professor in the University of Leeds’ School of Media and Communication analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer’s techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life.

How do you know the nature of another person: who she is, or what she is capable of? In four exploratory essays, a seasoned historian examines the mechanisms by which ancient people came to have knowledge—not of the world and its myriad processes but about something more intimate, namely the individuals they encountered in close quarters, those they knew in everyday life. Tracing previously unfathomed structures beneath the surface of late ancient Christianity, Ellen Muehlberger reveals surprising insights about the ancient world and, by extension, the modern. Things Unseen holds treasures for scholars of early Christian studies, for historians in general, and for all those who wonder about how we know what we seem to know.

The book is open access.

Ellen Muehlberger is Professor of History at the University of Michigan. You can find many of the other essays mentioned in the show here. She is also the editor of The Journal of Early Christian Studies.

Michael Motia teaches in the department of Classics and Religious Studies at UMass Boston

Explores forgotten solidarity with African liberation struggles through the life of Black Chicagoan Prexy Nesbitt.

For many civil rights activists, the Vietnam War brought the dangers of US imperialism and the global nature of antiracist struggle into sharp relief. Martha Biondi tells the story of one such group of activists who built an internationalist movement in Chicago committed to liberation everywhere but especially to ending colonialism and apartheid in Africa.

Among their leaders was Prexy Nesbitt. Steeped from an early age in stories of Garveyism and labor militancy, Nesbitt was powerfully influenced by his encounters with the exiled African radicals he met in Dar es Salaam, London, and across the United States. Operating domestically and abroad, Nesbitt's cohort worked closely with opponents of Portuguese and white minority rule in Mozambique, Angola, and South Africa. Rather than promoting a US conception of Black self-determination, they took ideas from African anticolonial leaders and injected them into US foreign policy debates.

The biography of a man but even more so of a movement, We Are Internationalists: Prexy Nesbitt and the Fight for African Liberation (U California Press, 2025) reveals the underappreciated influence of a transformative Black solidarity project.

How do we know through atmospheres? How can being affected by an atmosphere give rise to knowledge? What role does somatic, nonverbal knowledge play in how we belong to places? Atmospheric Knowledge takes up these questions through detailed analyses of practices that generate atmospheres and in which knowledge emerges through visceral intermingling with atmospheres. From combined musicological and anthropological perspectives, Birgit Abels and Patrick Eisenlohr investigate atmospheres as a compelling alternative to better-known analytics of affect by way of performative and sonic practices across a range of ethnographic settings. With particular focus on oceanic relations and sonic affectedness, Atmospheric Knowledge centers the rich affordances of sonic connections for knowing our environments.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.