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  • Listen to The Jew Who Would Be King: A True Story of Shipwreck, Survival, and Scandal in Victorian Africa with Adam Rovner (U California Press, 2025)

    by The Jew Who Would Be King: A True Story of Shipwreck
    Oct 03 2026

    This vivid reconstruction of one man’s life reveals the harsh realities and moral ambiguities of colonial power.

    The Jew Who Would Be King: A True Story of Shipwreck, Survival, and Scandal in Victorian Africa (U California Press, 2025) tells the story of Nathaniel Isaacs—a nineteenth-century British Jew who helped establish the Zulu kingdom only to become a ruthless warlord and slaveholder. Isaacs’ thrilling journey begins with his shipwreck on the shores of Zululand and proceeds to ports across West Africa, including Freetown, Sierra Leone. There, tasked by the colonial governor to end the local slave trade, Isaacs brokered deals that reinforced his own power.

    Adam Rovner’s meticulous archival research in England, Sierra Leone, South Africa, and St. Helena, coupled with his own travels to the remnants of Isaacs’ island stronghold in Guinea, brings this complex figure to life. Through Isaacs’ story, Rovner exposes the entangled forces of Jewish emancipation and antisemitism, slavery and abolition, the stark dichotomies of civilization and “savagery,” and the creation of whiteness versus Blackness.

    Adam Rovner is Associate Professor of English and Jewish Literature at the University of Denver. He is the author of In the Shadow of Zion: Promised Lands Before Israel (New York University Press, 2014).

    Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.


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  • Listen to Indefensible Spaces: Policing and the Struggle for Housing with Rahim Kurwa (U California Press, 2025)

    by Indefensible Spaces: Policing and the Struggle for Housing with Rahim Kurwa (U California Press
    Oct 02 2026

    In this episode, Lilyanna D'Amato speaks with Rahim Kurwa about his book Indefensible Spaces: Policing and the Struggle for Housing (U California Press, 2025), which examines the policing of housing in Los Angeles' northernmost suburb, Antelope Valley. Kurwa traces the suburbs' relationship with Los Angeles from post WWII to the early 2000s and 2010s, when the region saw increased Black migration as result of the Section 8 Housing Choice Voucher program, the largest rental assistance program for low-income families in the nation. Kurwa contextualizes the adoption and reception of the voucher system in Los Angeles at the end of the 20th century, and explores the participatory policing and criminalization practices used to evict Black residents and re-segregate the region.


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  • Listen to Welcome to the Journal of Autoethnography

    by Welcome to the Journal of Autoethnography
    Sep 27 2026

    In this episode, the editors of the Journal of Autoethnography offer an inside look at the journal, discussing its origin and revisiting notable articles that have contributed to the practice of autoethnography.

    The Journal of Autoethnography is published four times a year by the University of California Press. For more information about the journal, including subscription and submission information, please visit here. If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation.

    To learn more about the UC Press Foundation and how to contribute, please visit here.

    Articles mentioned:

    1. Matthew S. Johnston; Through Madness and Back Again: An Autoethnography of Psychosis. Journal of Autoethnography 11 May 2020; 1 (2): 137–155. doi: here
    2. Jessica Smartt Gullion; The Mayhill Project. Journal of Autoethnography 1 January 2025; 6 (1): 37–49. doi: here
    3. Elizabeth Stephens; Homicide by Police: Coping with Traumatic Death. Journal of Autoethnography 11 May 2020; 1 (2): 111–121. doi: here
    4. Anonymous Author; Highlighting Numbers: Students Stalking Faculty and the Lasting Impacts of a Flawed System. Journal of Autoethnography 1 April 2021; 2 (2): 143–160. doi: here
    5. Arthur P. Bochner; Autoethnography as a Way of Life: Listening to Tinnitus Teach. Journal of Autoethnography 7 January 2020; 1 (1): 81–92. doi: here
    6. Csaba Osvath; Writing With and Against the Machine: Autoethnographic Reflections on AI, VR, and Narrative Becoming. Journal of Autoethnography 1 July 2026; 7 (3): 346–358. doi: here
    7. Stephen King, On Writing: A Memoir on the Craft. 2000. Simon & Schuster.
    8. Goodall, H. Lloyd. A need to know: The clandestine history of a CIA family. Left Coast Press, 2006.
    9. Robin M. Boylorn, Sweetwater: Black Women and Narratives of Resilience (Revised Edition, 2017). Peter Lang.
    10. Ocean Vuong, On Earth We’re Briefly Gorgeous. 2019, Penguin.
    11. Ellis, Carolyn. Revision: Autoethnographic reflections on life and work. 2019. Routledge.
    12. A complete list of University of California Press journals is available at UC Press Journals

    Tony Adams is Caterpillar Professor of Communication at Bradley University.

    Andrew F. Herrmann is CEO of Applicable Consulting LLC. 


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  • Listen to Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026)

    by Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press
    Sep 25 2026

    Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.

    Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.

    Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz
    (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system.


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