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In this episode, Lilyanna D'Amato speaks with Rahim Kurwa about his book Indefensible Spaces: Policing and the Struggle for Housing (U California Press, 2025), which examines the policing of housing in Los Angeles' northernmost suburb, Antelope Valley. Kurwa traces the suburbs' relationship with Los Angeles from post WWII to the early 2000s and 2010s, when the region saw increased Black migration as result of the Section 8 Housing Choice Voucher program, the largest rental assistance program for low-income families in the nation. Kurwa contextualizes the adoption and reception of the voucher system in Los Angeles at the end of the 20th century, and explores the participatory policing and criminalization practices used to evict Black residents and re-segregate the region.

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In this episode, the editors of the Journal of Autoethnography offer an inside look at the journal, discussing its origin and revisiting notable articles that have contributed to the practice of autoethnography.

The Journal of Autoethnography is published four times a year by the University of California Press. For more information about the journal, including subscription and submission information, please visit here. If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation.

To learn more about the UC Press Foundation and how to contribute, please visit here.

Articles mentioned:

1. Matthew S. Johnston; Through Madness and Back Again: An Autoethnography of Psychosis. Journal of Autoethnography 11 May 2020; 1 (2): 137–155. doi: here
2. Jessica Smartt Gullion; The Mayhill Project. Journal of Autoethnography 1 January 2025; 6 (1): 37–49. doi: here
3. Elizabeth Stephens; Homicide by Police: Coping with Traumatic Death. Journal of Autoethnography 11 May 2020; 1 (2): 111–121. doi: here
4. Anonymous Author; Highlighting Numbers: Students Stalking Faculty and the Lasting Impacts of a Flawed System. Journal of Autoethnography 1 April 2021; 2 (2): 143–160. doi: here
5. Arthur P. Bochner; Autoethnography as a Way of Life: Listening to Tinnitus Teach. Journal of Autoethnography 7 January 2020; 1 (1): 81–92. doi: here
6. Csaba Osvath; Writing With and Against the Machine: Autoethnographic Reflections on AI, VR, and Narrative Becoming. Journal of Autoethnography 1 July 2026; 7 (3): 346–358. doi: here
7. Stephen King, On Writing: A Memoir on the Craft. 2000. Simon & Schuster.
8. Goodall, H. Lloyd. A need to know: The clandestine history of a CIA family. Left Coast Press, 2006.
9. Robin M. Boylorn, Sweetwater: Black Women and Narratives of Resilience (Revised Edition, 2017). Peter Lang.
10. Ocean Vuong, On Earth We’re Briefly Gorgeous. 2019, Penguin.
11. Ellis, Carolyn. Revision: Autoethnographic reflections on life and work. 2019. Routledge.
12. A complete list of University of California Press journals is available at UC Press Journals

Tony Adams is Caterpillar Professor of Communication at Bradley University.

Andrew F. Herrmann is CEO of Applicable Consulting LLC. 

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Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.

Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.

Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system.

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In Sugar Coated: Unboxing the Hidden Forces Shaping America's Favorite Breakfast Food (U California Press, 2026), world-renowned food politics expert Marion Nestle joins forces with former cereal executive Lisa Sutherland to examine what cereal boxes reveal about American culture and food politics. If you want to understand how the food business works, just have a look at a box of breakfast cereal. Hardly anything on supermarket shelves is bigger, bolder, or more deliberately designed. The fiercely competitive industry that brings us Cheerios, Froot Loops, and Trix sells a distinctly American dream: indulgence and health in one convenient package. Cereal boxes chronicle our shifting national obsessions with health, ingredients, dietary advice, and American culture. They show us what sells food: cartoons for kids, athletes for men, weight loss for women. And hidden in the history of cereal package designs, we find clues to the corporate lobbying that shapes agricultural policy, health claims, and labeling regulations. Sugar Coated unboxes the influence of cereal companies on food policy and the power of marketing, revealing, in the process, why Big Food is so good at selling profitable products regardless of their effects on health.

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