Skip to main content
University of California Press

About the Book

Although Luis Buñuel, one of the great filmmakers of the century, was notoriously reluctant to discuss his own work in public, he wrote--and wrote well--on many subjects over the years. This collection proceeds chronologically, from poetry and short stories written in Buñuel's youth in Spain to an essay written in 1980, not long before his death. Newly translated into English, the writings offer startling insights into the filmmaker's life and thought.

The earliest pieces came well before Buñuel joined the Surrealist movement in Paris and created the landmark film Un chien andalou with Salvador Dalí. Yet these and the early Surrealist writings reveal the inventiveness of the mind that would later create such masterpieces of cinema as L'Age d'or, Los olvidados, Viridiana, The Milky Way, The Discreet Charm of the Bourgeoisie, and That Obscure Object of Desire.

Later writings, which include screenplays and reflections on his own and others' films, illuminate many aspects of Buñuel's career, as well as the ways of thinking and perceiving that underlie his unique cinematic style. The final essay by this extraordinary artist sums up his view of the world--still vibrant and full of contradictions--at the end of his life.

About the Author

Luis Buñuel (1900-1983) is regarded as one of the most accomplished directors in the history of cinema. His celebrated collaboration with Dalí in 1928 was followed by a career as a filmmaker that spanned fifty years. Garrett White is a translator and film and art journalist. He translated and wrote the introduction for Blaise Cendrars's Hollywood: Mecca of the Movies (California, 1995).

Table of Contents

Acknowledgments 
Foreword
by Jean-Claude Carriere

Surrealist Writings
An Unspeakable Betrayal 
Orchestration 
Suburbs: Motifs 
Unnoticed Tragedies as Themes for a Totally New Theater 
Why 1 Don't Wear a Watch 
Theorem 
Lucille and Her Three Fish 
Deluge 
Ramuneta at the Beach 
Cava/feria rusticana 
The Pleasant Orders of St. Huesca 
Letter to Pepin Bello on St. Valero's Day 
Idea for a Story 
La Sancta Misa Vaticanae 
Menage a trois 
A Decent Story 
On Love 
A Giraffe 

An Andalusian Dog
For Myself I Would Like 
Miraculous Polisher 
It Seems to Me Neither Good nor Evil 
Upon Getting into Bed 
The Rainbow and the Poultice 
Redemptress 
Bacchanal 
Odor of Sanctity 
Palace of Ice 
Bird of Anguish 

Theater
Hamlet 
Guignol 

On Cinema
BUNUEL AS CRITIC
A Night at the Studio des Ursulines 
Metropolis 
Fred Niblo's Camille 
Abel Gance's Napoleon 
Victor Fleming's The Way of All Flesh 
Buster Keaton's College 
Variations on Adolphe Menjou's Mustache 
News from Hollywood 
Our Poets and the Cinema 
Carl Dreyer's The Passion of Joan of Arc 
The Comic in Cinema 
BUNUEL AS THEORIST
The Cinematic Shot 
Decoupage, or Cinematic Segmentation 
Cinema as an Instrument of Poetry 
BUNUEL AS SCRIPTWRITER
Goya and the Duchess of Alba 
Un Chien andalou 
L'Age d'or 
Gags 
Hallucinations about a Dead Hand 
Illegible, the Son of a Flute 
Agon (Swansong) 
Bunuel on Bunuel
Land without Bread 
Viridiana 
To PECIME 

Autobiographical Writings
Fragments of a Journal from Bufiuel's Youth in Calanda 
Medieval Memories of Lower Aragon 
From Bufiuel's Autobiography 
Pessimism 
Afterword
by Juan Luis Bufiuel and Rafael Bufiuel 

Reviews

"Buñuel is a filmmaker I have been stylistically haunted and influenced by for a very long time. After reading this collection of essays, some of which have never been published before, I am even more enthralled by this man. He remains my favorite voice of the surrealists."—Gus Van Sant

"This lively and diverse selection of Buñuel's literary work should provide the American reader with a much greater understandiing of the man and his work, and with hours of enjoyment as well."—Julie Jones, University of New Orleans

"Buñuel didn't like to put words on paper, but thankfully he did, revealing the sly, shy, quirky, passionate, unpredictable genius whose superbly subversive films were everything but shy. This trove of reluctant writings is a rare and historical treat."—Charles Champlin, retired arts editor, Los Angeles Times