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University of California Press

About the Book

Eliza Pratt Greatorex (1819–1897) was America’s most famous woman artist in the mid-nineteenth century, but today she is all but forgotten. Beginning with her Irish roots, this biography brings her art and life back into focus. Breaking conventions for female artists at that time, Greatorex specialized in landscapes and streetscapes, traveling from the Hudson River to the Colorado Rockies and across Europe and North Africa. Her crowning achievement, a monumental tome of drawings and narratives titled Old New York, awakened the public to the destruction of the city’s architectural heritage during the post–Civil War era. Exploring Greatorex’s fierce ambition and creative path, Katherine Manthorne reveals how her success at forging an independent career in a male-dominated world shaped American gender politics, visual culture, and urban consciousness.

About the Author

Katherine Manthorne is Professor of Art History at the Graduate Center, City University of New York. An award-winning art historian, she is the author of monographs on Martha Mitchell, Frederic Church, Louis Mignot, and James Suydam.

From Our Blog

Migration, Art & the Quest for Home: A 19th Century Woman’s Story

By Katherine Manthorne, author of Restless Enterprise: The Art and Life of Eliza Pratt GreatorexThis guest post is part of our #CAA2021 conference series. Visit our virtual exhibit to learn more.Today human movement is at a record high. The United Nations reports that approximately o
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Table of Contents

Acknowledgments 
Introduction

Prologue: The Old Church
1. Maeve’s Daughters: From Ireland to America, 1819–1848
2. Art, Domesticity, and Enterprise, 1850–1861 
3. Civil War and Architectural Destruction
4. Success in the New York Art World, 1865–1870 
5. In the Footsteps of Du¨rer, 1870–1872 
6. Taming the West: Summer Etchings in Colorado (1873)
7. Old New York (1875): Witnessing Urban Transformation
8. Centennial Women, 1876–1878 
9. Transatlantique: From New York City to Paris, from Cragsmoor to Morocco, 1878–1897
Epilogue: Kathleen and Eleanor Greatorex Carrying On Alone 

Notes 
Bibliography
List of Illustrations
Index

Reviews

“One of the best things about this book is that, in spite of its multitextured account of the artist’s life and work, the reader wants to know more about women artists in this period. . . . The author’s clear and accessible prose helps the reader digest the multifaceted view that emerges from the book.”
 
Panorama: Journal of the Association of Historians of American Art
"Manthorne’s prose is quite lyrical at times, and her visual analysis of Greatorex’s compositions provide a fluid and balanced assessment of her work."
Imprint, Journal of the American Historical Print Society
"Manthorne’s study is a fascinating voyage...filled with a wealth of historical and social context. Most importantly, it significantly adds to our knowledge of nineteenth-century women artists and their experiences both in the US and abroad, and encourages us to further explore their roles as travelers and writers, and their efforts to occupy public spaces, whether on the streets, the exhibition gallery, or the studio, which they had been long denied."
Nineteenth Century Art World
"Manthorne “chases [a] shadow” to craft a robust and, at times, moving account of the life of this painter and etcher."
Irish Journal of American Studies
"A work of exceptional scholarship and dynamic storytelling, Restless Enterprise offers the first comprehensive biography and critical assessment of the long-overlooked American artist Eliza Pratt Greatorex. Decades of original research have come to exquisite fruition in this captivating account of Irish roots, nineteenth-century art, women’s rights, and westward expansion. Katherine Manthorne has illuminated a new star in American cultural history."—Adrienne Baxter Bell, author of George Inness and the Visionary Landscape

"Manthorne’s sweeping cultural biography of Greatorex represents the first contemporary study to situate this largely forgotten figure in her expansive moment. A compelling story that deepens our knowledge of the pre–Civil War New York art world and women’s positions within it, Restless Enterprise enriches the fields of visual and cultural studies."Sylvia Yount, Lawrence A. Fleischman Curator in Charge of the American Wing, Metropolitan Museum of Art

"This important, magisterial book belongs in the library of anyone interested in nineteenth-century art and culture. With sweeping context and captivating detail, Manthorne reveals how a widowed artist with four children maneuvered in the Manhattan art world, survived tragedies, and gorgeously documented scenery from the Rockies to Algiers."—Eve M. Kahn, author of Forever Seeing New Beauties: The Forgotten Impressionist Mary Rogers Williams, 1857–1907

"Eliza Greatorex finally gets the attention she deserves in this masterful narrative. Manthorne deftly interweaves history, biography, and art into a vivid evocation of New York City and the nation at a moment of massive transformation, placing a pioneering artist within a network of American women who forged a new moment of professional and personal independence."—Sarah Henry, Robert A. and Elizabeth Rohn Jeffe Chief Curator and Deputy Director, Museum of the City of New York

Media

Author Katherine Manthorne offers a sneak peek inside Restless Enterprise