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University of California Press

About the Book

Never before published essays by the widely admired psychologist of art. Arnheim spiritedly asserts art's fundamental achievements.

Rudolf Arnheim has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself.

The essays collected in this volume are written in his familiar, careful, and solidly supported manner, but under present circumstances they amount to a call to arms. Included is a series of miniature monographs on a variety of great works of art. In other essays, Arnheim uncovers enlightening perspectives in the art of the blind, in architectural space, in caricature, and in the work of psychotics and autistic children. He also presents new scientific aspects on the psychology of art and widens our range of vision by connecting art with language, literature, and religion.

About the Author

Rudolf Arnheim taught at Sarah Lawrence College for many years and was the first Professor of the Psychology of Art at Harvard. He taught at the University of Michigan after his retirement and is the author of ten other books, all published by the University of California Press.

Table of Contents

Introduction 

I
In Favor of Confrontation 
Art Among the Objects 
What Became of Abstraction? 
II
The Reach of Reality in the Arts 
Space as an Image of Time 
The Reading of Images and the Images of Reading 
Writers' Pointers 
III
For Your Eyes Only: Seven Exercises in Art Appreciation 
Picasso at Guernica 
Sculpture: The Nature of a Medium 
Negative Space in Architecture 
Caricature: The Rationale of Deformation 
Art History and Psychology 
IV
The Melody of Motion 
Perceptual Aspects of Art for the Blind 
The Artistry of Psychotics 
The Puzzle of Nadia's Drawings 
The Artist as Healer 
V
But Is It Science? 
Complementarity from the Outside 
Interaction: Its Benefits and Costs 
What Is Gestalt Psychology? 
The Two Faces of Gestalt Theory 
VI
Beyond the Double Truth 
Art as Religion 
In the Company of the Century 

Index