Art Beyond the Edge
About the Author
Bryan Reynolds is Distinguished Professor and Claire Trevor Professor of Drama at UC Irvine, Artistic Director of the Amsterdam-based Transversal Theater Company, a director of theater, a performer, and a playwright. He has published over a dozen books and his plays and musicals have been produced at seventy-five venues in twenty-two countries.
Table of Contents
Contents
Preface
1. Art Beyond the Edge: A Fugitive Exploration
2. Burning Man: Performance Activism and the Art of Emurgence
3. The Miraculous Love Kids: Grrrl Power, Rock 'n' Roll, and Rebellion in Afghanistan
4. Nabi Saleh, Real to Alloreal: A Collaborative Exploration Between The Freedom Theatre and the Transversal Theater Company
5. The Capitalist Hydra vs. Mutant Algae: The Ecosophy of Zapatista Murals; or, Advancing like a Snail
6. Playing for Your Life: Music as Chiasmus at the Edge of Chaos
7. Enough Is Enough: Beyond Railroad, a Testimony to Survival, Justice, and Faith
Coda: Beyond the Edge, into the Abyss
Acknowledgments
Notes
Bibliography
Index
Reviews
"At last here is a book, Art Beyond the Edge, that speaks from the heart of conflict, the entrails of agony, injustice, and suffering, and yet affirms art as joy and creativity. Both global and regional, multimodal and interdisciplinary, this timely endeavor dares to give hope a name and art its salience on the brink of precarity. Thanks to these authors, art speaks and speaks for."—Rajagopalan Radhakrishnan, author of History, the Human, and the World Between
"Mark LeVine and Bryan Reynolds go global creating 'transversal' performances—art that is dangerous, experimental, political, engaged, practical, theoretical, and collective. Agree or disagree, I was taken by their fierce book embodying 'emurgent' art, incandescent performances amid a world on fire, art that becomes 'a map to the future.'"—Richard Schechner, author of Between Theater and Anthropology
"LeVine and Reynolds make accessible rare and important case studies in theater, music, and performance from sites of tension, violence, and war. New vocabularies in Western aesthetics for art 'beyond' the edge engage with performative, non-generic artwork from global communities obscured, silenced, or erased by neo/post-liberal structures. This book generates discussion, conversation, argument, and polemic and addresses a central issue in our diverse world, where peoples around the world are seeking recognition and attempting to get it on their own terms."—Lynette Hunter, author of Politics of Practice: A Rhetoric of Performativity
"This analytical record offers an incisive and unprecedented conceptual language for grasping how art becomes a crucial modality for creating new political subjects. Rarely have there been intellectual practices that match this project's courage and invention in the long struggles for emancipation."—AbdouMaliq Simone, author of The Surrounds: Urban Life Within and Beyond Capture
