Autobiography of Mark Twain, Volume 1

“Twain would approve!”

— Bookideas.com

“Twain's autobiography, finally available after a century, is a garrulous outpouring—and every word beguiles.”

— Wall Street Journal

“Brimming with Twain’s humor, ideas and opinions, this is a book for anyone interested in the writer’s work and life.”

— Curledup.com

“Mission accomplished, Mr. Clemens.”

— Boston Review

“Promises a no-holds barred perspective on Twain’s life, and will be rich with rambunctious, uncompromising opinions.”

— Herald Scotland

“Pure Twain at his typically discursive, rambling, and droll. . . . The bard of Hannibal still has much to say.”

— American Heritage

“A major achevement.”

— Choice

“When Twain dictated his memoirs, he said he wanted to speak his whole, frank mind. But he didn't want the full text published until he'd been dead 100 years, ‘unaware and indifferent.’ With the uncensored Twain finally here, we're the furthest thing from indifferent.”

— Time Magazine

“From Blair to Brand, Caine to Cole, the bestseller chart is awash with memoirs -- but none offer the extreme reading of the Autobiography of Mark Twain.”

— The Times

“From the army of Twain scholars at the University of California’s Mark Twain Project, comes the dazzling first volume of the ultimate, authoritative three-volume Autobiography of Mark Twain. . . . Twain’s writing here is electric, alternately moving and hilarious. He couldn’t write a ho-hum sentence. . . . To read this volume is to be introduced to Twain as if, thrillingly, for the first time.

— Library Journal

“His '’whole frank mind,’ sharp and funny, is seared onto every page. A”

— Entertainment Weekly

“Twian’s ‘Final Plan’ has been released in a truly spectacular first volume of his posthumous ‘Autobiography’.”

— Engineering & Technology

“What we have here amounts to the contents of Mark Twain’s attic: all the stuff that didn’t fit in the living quarters and that the man tossed upstairs, where for a century it gathered dust, cobwebs, and rumors.”

— The New Republic

“His fiction belongs in the classics section, but this autobiography is a 21st century bestseller.”

— The Missourian/Vox

“If Mark Twain’s Adventures of Huckleberry Finn is the first Great American Novel, then Twain’s autobiography is set to be the first great read of the decade.

— The Sunday Business Post (Ireland)

“In its freewheeling, associative blend of character studies, press cuttings, family history, letters and public speeches, it evokes Twain's personality with a near-hallucinatory clarity. . . . Twain employs a light touch, never pausing too long on the same scene, never letting accuracy stand in the way of a good story, putting off academic rigour for the 300 pages of endnotes he probably knew someone would furnish. Flights of fancy inspire anecdotes and vice versa in inexhaustible succession.”

— The National

“It feels like a form of time travel. One moment you’re on horseback in the Hawaiian islands - or recovering from saddle boils with a cigar in your mouth - and the next moment you’re meeting the Viennese maid.”

— International Herald Tribune

“It is a thoughtful and humorous reflection of events he lived through.”

— Eat Anglican Daily Times

“Mark Twain is his own greatest character in this brilliant self-portrait. . . . Laced with Twain's unique blend of humor and vitriol, the haphazard narrative is engrossing, hugely funny, and deeply revealing of its author's mind. . . . Twain's memoirs are a pointillist masterpiece from which his vision of America--half paradise, half swindle--emerges with indelible force.”

— Publishers Weekly: Nonfiction (2)

“In [this book] we get to enjoy the society of latter-day Mark Twain. . . . A matured, calmer, and fundamentally funnier Twain who seems more comfortable in his own skull.”

— The Stranger

“Leaks are coming slowly, but steadily, like singles from a highly anticipated album, but a new excerpt from Newsweek reads like a smash hit, as Twain shows off his wit and schools a librarian.”

— Village Voice

“I start reading Twain’s Autobiography at any page and don’t want to stop, for the sheer voluptuous pleasure of the prose.”

— Twitter: Roger Ebert

“A major achievement.”

— Choice

“A treasure trove for serious Twain readers.”

— Booklist

“The author’s authentic voice speaks clearly from the grave - brimming with humor, ideas and opinions.”

— Radio Times

“. . . the value of this volume comes not from the new information about his life but rather from the way in which it reproduces the torrent of his wit, the irrepressibility of his voice, more fully than ever before.”

— Sunday Telegraph

"'I can't wait to read that,' Stewart says. 'I just wish I could book him on my show.'"

— Associated Press

“Pure Twain—crotchety, sarcastic, funny as hell, cynical, profound, and narrated by someone aware of his approaching death.”

— Counterpunch

“One of the most heavily anticipated events in the literary world.”

— Ft. Worth Star Telegram

“Dangerously funny and opinionated, Twain was censored by himself, his family, and his literary executors. Here at last is his ‘whole frank mind.’”

— American History

“Everywhere there are arresting passages in which the author’s unrelenting candor shines through.”

— Evening Standard

“For our grasp of Mark Twain -- for our belief, ever since he burst on the scene in 1865, that we know him through his prose -- the book is a gift and a treasure.“

— The American Spectator

“The Autobiography, as it begins here, is richly humorous, self-deprecating (if not always in earnest), full of anecdotes about great and small. . . . The meandering, the discursiveness, the parentheses promising the later resumption of a story (’And some time I wish to talk about that’), the mockery (desolate at bottom) of pretension, all these distinguish this first volume. We will have to mark time until there is more, but the wait is bound to be worthwhile. It's been a century coming, after all.””

— The Australian

“The book gives an inside view into the life and mind one of the most talented writers in American history.”

— Springfield (Ma) Republican

“The editors have done a remarkable job with the ramblings of a very good rambler, producing a volume the size of a small encyclopedia, with two more to follow.”

— Daily Telegraph

“The fact that a century after the book concluded - with the author’s death - much of it still reads as compulsively as if it were being dictated in the next room.”

— The Observer

“The merit of the autobiography is its revelation of every facet of Samuel Clemens – how modern a figure he is, and how topical his concerns. Take the polemical verve of Christopher Hitchens. Toss in the fun-poking news instincts of the American broadcaster Jon Stewart. Add the traveller's curiosity and gentle wit of a Bill Bryson, plus the raw energy of Ernest Hemingway, and then stir in an entire Oxford dictionary of aphorisms, and you start to get an approximation of a man who spanned virtually every literary genre – and in the process became one of the most quoted (and misquoted) writers to walk the earth.”

— The Independent

“The tone is crisp, at times scandalously so, but often it is the shock of the unmediated truth that is so funny.”

— Eastern Daily Press

“This first volume (of three) is impossible not to admire, so fluent and entertaining a picture does it provide of Twain’s life. . . . The text becomes a picaresque adventure story, full of brilliant characters and scarcely believable anecdotes, balancing the mordant wit so prominent in Twain’s fiction with affectionate portraits of those close to him.”

— Prospect

“This first volume (of three) is impossible not to admire, so fluent and entertaining a picture does it provide of Twain’s life.”

— Prospect

“Twain's uncensored writings show the same penchant for humor and sharp social commentary as his novels.”

— Houston Chronicle

“Twain’s Autobiography is ... experimental, but not free-form. To borrow his metaphor, his narrative stream is less like a canal than a tributary—and it’s well worth panning for the gold. Above all else, the work uniquely captures the processes of individual memory.”

— The Brooklyn Rail