Clark by Clark Terry - Paper - University of California Press

Reviews

“In his moving autobiography, Clark Terry tells the story of making his very first trumpet out of scrap metal, which led to school bands, then regional orchestras and eventually gigs with Count Basie and Duke Ellington. Terry also tells a fascinating story about how he broke ground when he joined the NBC Orchestra in 1960, becoming the first black member of that band. His contribution to American music would have been cemented with all of the above, but then he discovered jazz education. Clark is a worthy addition to the canon of race relations in this country and an even better account of a gifted, widely loved man who made this country a better place by simply falling in love with jazz.”
— National Public Radio

In his memoir, which has the pulse of jazz's life force, Clark Terry himself exemplifies what he once told me about Duke Ellington: He wants life and music to be always in a state of becoming. He always likes to make the end of a song sound like it's still going somewhere. On and off the bandstand, and now at his home with students in Arkansas, he gets inside the jazz life. His choruses in this book will bring readers to his music for generations to come.
— Wall Street Journal

A disarmingly honest and thoroughly entertaining autobiography. . . . No drug and alcohol sob stories here, just hard work and an exceptionally good nature. This is a sweet read.
— Seattle Times

"Clark chronicles, in endearing prose, Terry's personal and professional journey. . . . Onstage and in the backroom, Terry and his trumpet shared a front-row seat to jazz history. . . . [that's] nothing short of that remarkable story.”
— San Francisco Chronicle

The trumpet grandmaster, who turned 90 this year, addresses the scene with emotion, humor, concision, acuity and analytical discernment. . . . Nothing if not a blues epic, the narrative is also a true-grit portrait of a diligent, inspired artist.
— Downbeat

Compelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim. Terry takes us behind the scenes of jazz history as he introduces scores of legendary greats.
— All About Jazz

This is a book that will uplift, inspire, and make you laugh out loud. A life lived this well, with constant integrity, enthusiasm, positive energy and good will is something for which to cheer. The celebration begins when you open the pages.
— Duke Ellington Society

A long awaited story of the great joy of playing the trumpet and making music since the early 1930s. Terrys book is conversational in style but blunt and exacting in detail about people and dates; he holds nothing back.
— Jazz Times

No doubt because of Terrys ebullient personality, the text reads just the way he speaks, and has vivid descriptions of people, places and smells, with a knack for folksy similes.
— Jazz UK Magazine

Clark is the last survivor of a great jazz age, and thus this book is doubly important. . . . With a subject like this you couldnt go wrong, and the book is a most satisfying read.
— Jazz Journal

“A career . . . chronicled with open-hearted charm.”
— National Post

Terrys wonderful book is a true labor of love.
— Jazzwise

“This is his story and, in the process, the story of jazz and jazz greats.”
— Library Journal

Terry tells his amazing, finally triumphant, life story in a free-speaking, chatty, direct style.
— Australian

“The chapters of his memoir become their own improvisations as one memory keys off another, pulling you into the ‘set’ as if you were sitting at a front-row table, until he circles back to the story at hand. . . . The inside story of modern jazz, told by one of its most revered legends.”
— Shelf Awareness

"Informative, detailed, intimate, and throughly absorbing, Clark is very strongly recommended."
— Midwest Book Review

An easy, entertaining and informative volume that will please his fans and introduce budding jazz listeners to his many contributions.
— New York City Jazz Record

[Clark Terry has] changed the institution of jazz education, creating new standards for a performers generous relationship with students of all types, and a healthy respect for the place of a thorough education in the evolution of jazz.
— Jazzed: Jazz Education Journal

One feels that even the nearly sixty chapters of narrative are not enough to do justice to such an exceptional career.
— ARSC Journal

An important book, an excellent read, a genuine page turner by a dependable, talented musician who achieved worldwide fame as a unique and creative improviser.
— Blue Light

Storytellers are to be cherished and Clark Terry should be on a pedestal for his thoroughly entertaining autobiography. Brimming with life, love, music, and great characters, this book is as much a history of the twentieth century as it is a history of his ninety years (and counting!).
— Music Industry Newswire

“Terry offers a sprightly and readable account of the events, and, more importantly, of the character of the people who helped shape the music. He is a most entertaining companion, someone you come to trust and like immensely—a musician’s musician, obsessed with playing right from the start, always eager to learn more, hone his craft, grow as an artist, then share that knowledge with others.”
— KMUW Wichita Public Radio

Clark Terry is the epitome of jazz trumpet, of jazz, and of human kindness. His playing is impeccable and original, scintillating, humorous, and brimming with pluckish wit and late-night pungence. His style is virtuosic and deeply intelligent. It cannot be identified by decade or era or style (as it is timeless and definitive of American Jazz and the profoundest aspirations of the jazzman): to be one of a kind, to endure, to inspire, to be truthful, to be accurate, to swing. He has inspired thousands of younger musicians and nourished us with his interest, his knowledge, and his love. His contributions go far beyond the bandstand and he will always be an indelible part of our lives, inseparable from our identity as musicians and people. We all love him deeply. And forever.Wynton Marsalis

Clark Terry is a living history of much of jazz, to which he has contributed as a deeply imaginative soloist and influential band leader. His additional life mission has long been to teach as many young musicians as I could. His first pupil was Quincy Jones and he was the first to recognize the potential of Miles Davis. To this day, Clarks international impact is such that young students come to his home in a small town in Arkansas from Israel, Australia, and other lands to take lessons from Clark. Now, at last, in this memoir of his storied career, Clark swingingly personifies the multi-dimensional jazz life. He writes as he playsthe very sounds and rhythms of surprise!Nat Hentoff, author of At the Jazz Band Ball: Sixty Years on the Jazz Scene

Clark Terry is the unique voice in Americas creative art form called jazz. I would not have a career without him. His friends and admirers cover the whole planet.Jimmy Little Bird Heath

"Clark Terry has not only been living his dream, he has spent his life helping others to achieve their dreams as well. He's an extraordinary role model and mentor who has walked the walk. And now, in addition to decades of wonderful music, he is giving us another gift, his autobiography. It is up to us to share the love, the music, and the stories with our children, and our childrens children, for this is how theyll learn. Thank you, Clark, for the wonderful example you have set. We love you.Nancy Wilson

"Clark Terry is an American Master. I love to listen to him, particularly Mumbles. I was so delighted when we received degrees together, along with Edward Kennedy, at the New England Conservatory in 1997."Aretha Franklin

"I've always been a great admirer of Clark Terry's work on the trumpet and flugelhorn, and now I have become a big admirer of his work as an authoryou will love this book." Clint Eastwood

"I met Clark when I was sixteen years old. He saw something in me and without hesitation planted me in the most fertile soil any aspiring artist could hope to be in . . . his heart. I am eternally grateful for his generous spirit, love, encouragement, storytelling, and above all laughter throughout the years! Clark . . . I love you madly."Dianne Reeves

Ive come to know Clark as undoubtedly the greatest teacher in the history of jazz. From the mentoring of Miles Davis and Quincy Jones, to the millions of young musicians touched by the Thelonious Monk Institute of Jazz all over the globe, Clark and his incredible music stand as a symbol of intellect and spirituality of the highest order to all of us. Thank God for Clark Terry! Thelonious Monk, III

Thank you, Clark, for a lifetime of your incredible talents, and for filling this world with so much love. All of us at the Jazz Foundation of America are sincerely thankful for your compassion and involvement in our efforts to help musicians in need. You are an inspiration and a classic role model truly beyond category! Wendy Oxenhorn

His style, his sound, his look, his voice, his heart, his soul. Thats what inspires Snoop Dogg about Mr. Terry. If I could only do half of what he did in the music business, my life would be complete. I had the honor and pleasure of spending a few days with Mr. Terry. Hes the greatest to ever do it. Thank you, Uncle Quincy, for introducing me to Mr. Mumbles!!! Snoop Dogg

Clark and I have been friends for many decades, and Ive always enjoyed his music. Recently, on a long, three-hundred-mile drive to our gig, we listened to Clarks wonderful Porgy and Bess album. This was the second or third time that wed done that. It sure was some great playing on your part, Clark! We enjoyed those Chicago Jazz Orchestra brass players, too. Congratulations on your book. Dave Brubeck

When I saw Clark performing at the Blue Note in New York, I thought to myself, Could this be what all of us instrumentalists are really trying to do? Before my eyes and ears, the legend/man/craftsman went there. As I saw it, there was straight to the source of personal expression. Through Mumbles or through the flugelhorn, the man spoke to me that night, and Ill remember that always as a larger than life experience. Esperanza Spalding

Clark Terry is a jazz superstar, and one of the most extraordinary individuals I have ever encountered. Hes a world-class musician, educator, composer, jazz pioneer, and a co-founder of the Thelonious Monk Institute of Jazz. He has inspired people of all ages with his humor, courage, passion and vision. Thanks for your friendship, Clark, and for always being there for the Institute. Tom Carter

Whenever I see Clark Terry, I always look forward to talking to him and reminiscing about the early bebop years. Theres an expression coined by Lester Young that succinctly says it all about Clark Terry: chandelier, a raconteur par excellence, Mumbles-brilliant, original musical brilliance. It has been a privilege. Billy Dee Williams

"The one I admire without restriction is Clark Terry, whose pronunciation at the trumpet or bugle is a model of sharpness, clearness and authority. A model which is given with generosity to all of those who want to play this instrument...the way it should be played." Maurice Andrbr />

Clark

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