About the Book
Land Cinema in an Age of Extraction considers nonfiction filmmakers and film collectives active since the 1970s whose work advances an understanding of land as a locus of social and environmental responsibility. Diving into little-known archives to explore films that resonate across geographies, Becca Voelcker unearths key examples of eco-political counterculture, from farmer-filmmakers in Japan and Mali to a gardener-filmmaker in Massachusetts, and from filmed landscape portraits of women in Los Angeles, Orkney, and the Navajo Nation to Indigenous documentaries about land dispossession in Colombia. Proposing the new term “land cinema” as an urgent genre for our time, this book reveals how images and ideas produced half a century ago sowed seeds for climate justice movements today.