"While media histories will always contain gaps that existing archives may not be able to fill, Berke excels at investigating these spaces to rethink the women who created so many of early television’s genres. Their Own Best Creations is a fascinating, timely, and heartening contribution to media history and industry studies."
— New Review of Film and Television Studies
"Berke’s Their Own Best Creations offers a fascinating insight into the professional careers of a number of successful and innovative women television writers who played memorable roles in the creation of popular postwar US television genres."
— Critical Studies in Television
"Their Own Best Creations enriches the field of television studies, which has too often reproduced the industry’s masculine bias in its choice of objects."
"An inventive exploration of women writers in the early years of American television, Their Own Best Creations is an exciting illumination of the intertwined histories of gender, the TV business, and creative labor. Annie Berke brings to life the struggles and triumphs of these writers and their ground-breaking work."—Elana Levine, author of Her Stories: Daytime Soap Opera and US Television History
"What Annie Berke does in this book is as impressive as it is entertaining and informative. In spinning her historical overview of women TV writers and story editors, she pulls from memoirs, interviews, and countless examples of specific television shows. Expected series and creators are all here, but so are many delightful surprises."—David Bianculli, author of The Platinum Age of Television: From I Love Lucy to The Walking Dead, How TV Became Terrific
"With engaging detail, Berke shows how women writing in early American television challenged audiences—and their coworkers—to examine the changing roles of femininity, domesticity, and gender identity. Tying behind-the-scenes work experiences together with press interviews, memoir, scripts, series, and media studies research, Berke helps us better understand the long history of how the personal is professional for those often left out of the history of TV."—Miranda Banks, author of The Writers: A History of American Screenwriters and Their Guild
"A revelation! From soap operas to sitcoms and suspense dramas, from story editors to staff writers and showrunners, Berke's lively study reveals the absolute centrality of women's creative labor to television's growth as an art form and an industry in the 1950s. Their Own Best Creations is required reading for anyone interested in the impact of female media professionals on post-war US culture, or histories of women's labor more generally."—Jennifer M. Bean, coeditor of A Feminist Reader in Early Cinema
