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— Library Journal"A rich feast of letters, manifestos, reviews, interviews, and other writings relating to the study of modern art, carefully searched and methodically selected. . . . He wrote the book to fill a need often cited by art historians and students -- to put the study of modern art on a sounder ideological basis. This he does. . . . Other collections of documents of art by modern artists have been printed, but this source book has the advantages of objectivity and large scope. . . . highly recommended for art collections and also for its relevance to humanities in general."
— Art Education"Once in a great while one discovers a book that is unusual in approach, scope, and content. This is such a book . . . From the words of the artists, . . . one gets an insight concerning their art, a feeling of knowing the artists, and an awareness of their humanness -- added dimensions that make viewing their art work even more meaningful. . . . This book is a significant contribution and is an important source for anyone interested in or involved with modern art."
— San Francisco Chronicle"The richest, most thorough and authoritative anthology of theoretical source materials on painting and sculpture since Cezanne which has so far appeared."
